Grażyna Bacewicz

If you want a composer who grabs you by the collar, in the best possible way, Grażyna Bacewicz is your woman. A Polish violinist-composer with fierce musical instincts, she wrote piano music that kicks, sparkles, and twists with rhythmic energy.

Her style blends neoclassical sharpness with a modernism. It’s smart, bold, and incredibly fun to play once you get inside her language.

Start with her Piano Sonata No. 2, one of the great underperformed sonatas of the 20th century. It’s dramatic, driving, and full of fun rhythms and unexpected turns. The slow movement opens a different door, lyrical, haunting, almost suspended in time, before the finale snaps back with brilliant momentum.

Then try her Ten Concert Etudes, a set that deserves way more attention. Each etude focuses on a specific pianistic challenge, but Bacewicz makes them feel like real music, not exercises. They’re crisp, colorful, and packed with personality.

Bacewicz writes with clarity. She is bold and she’s not trying to charm you, and for pianists, that world is incredibly rewarding.

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